It must be the holiday book season

Not only does Christopher Alexander have a new book (The Battle for the Life and Beauty of the Earth: A Struggle Between Two World-Systems), Nassim Taleb does, too (Antifragile: Things That Gain from Disorder).

Well, heck, if I’m going to mention those two, then I’ll also mention Steve Minkin has a new novel out. (Showdown At The Hoedown)

Given how rare new books are from either Alexander or Minkin, this is quite the syzygy.

Downbelow

I just saw this post about New York’s abandoned City Hall subway station. Looking around for other images, I found this one, which is particularly interesting to me because it shows how daylight is allowed down to the station through glass tiles in the sidewalk.

Why it got abandoned: Seems it’s a tight loop. The subway trains had more cars — and longer cars — added on, and they can’t take the curve any more. It’s deemed prohibitively expensive to dig a new tunnel, so… The station is left alone in its silence.

The Shard, London

1930′s Italian Futurism called, Mr. Piano, and they’d like their cinema set back.

Actually, perhaps Orwell put it best, in 1984:

“The Ministry of Truth – Minitrue, in Newspeak – was startlingly different from any other object in sight. It was an enormous pyramidal structure of glittering white concrete, soaring up terrace after terrace 300 metres in the air.”

Well, admittedly, it’s glass not concrete, but aside from that…

Do as Rem builds, not as he lives…

From an interview of Rem Koolhaas by Spiegel, back in 2006:

“SPIEGEL: Some people say that if architects had to live in their own buildings, cities would be more attractive today.

Koolhaas: Oh, come on now, that’s really trivial.

SPIEGEL: Where do you live?

Koolhaas: That’s unimportant. It’s less a question of architecture than of finances.

SPIEGEL: You’re avoiding the question. Where do you live?

Koolhaas: OK, I live in a Victorian apartment building in London.”

I think Cameron’s Skepticism applies here. That is, Koolhaas can tell me all day that more recent architecture is more convivial and a better “machine for living,” but until he’s willing to choose it for himself — even if by another architect, not necessarily his own work — I’m going to assume he doesn’t actually believe that.